Franki Cambeletta/Co-Founder-Owner of the Haunted Garage podcast stopped by to speak with Nancy about the podcast and the related Horror Film Festival at the Hi-Point on Oct 5-7.
Haunted Garage is a paranormal podcast dedicated to transportation. Focusing on haunted cars, trains, busses, motorcycles and beyond. ------
Sabine Eckmann joined the Kemper Art Museum as curator in fall 1999 and also regularly teaches seminars in the Department of Art History & Archaeology in Arts & Sciences. Eckmann, a native of Nürnberg, Germany, is a specialist in 20th and 21st-century European art and visual culture with a particular focus on the intersection of art and politics, ranging from exile art and cold-war aesthetics to European post-unification art. Other research interests include avant-gardism, new art forms, media, critical theory and cultural studies.
Art Saint Louis is a nonprofit community art organization and gallery dedicated to enriching lives through the creative activity of our region’s contemporary visual artists. Through exhibition, education, and exchange they connect and inspire our community, and multiply the economic and cultural vitality of our region. ------
Now in their 38th year of operation, they continue to cultivate an appreciation for the role that visual art and artists play in the community. ------
Brian Vaccaro graduated from Webster University in St. Louis in 1996 with a Bachelor's Degree in Music with an emphasis in Jazz Studies. He continued his education at Southern Illinois University at Edwardsville where he earned a Master's Degree in Music in Guitar Performance in 2000. Since completing his studies, Brian has been active as an educator as well as a performer. He has taught a variety of jazz and general music courses including Jazz History, Jazz Ensemble, Guitar Ensemble, Rock History, Private Guitar Study and numerous others at Lindenwood University, Southwestern Illinois College, St. Louis Community College, Grand Center Arts Academy and St. Charles Community College.
In 2010, Brian received the Outstanding Adjunct Faculty award from St. Louis Community College at Meramec. Brian is now Executive Director of the 501c3 organization "St. Louis Classical Guitar". He has also performed and recorded with many of the top musicians in the St. Louis area. "Going Through the Motions", the debut album by the Brian Vaccaro Trio, was honored to be included in the "Notable Releases of 2011" list by noted critic and author W. Royal Stokes. Brian currently performs in and around the St. Louis area.
Independent artist and founder of the St. Louis Neon Museum, Deborah Katon, stopped in to talk with Nancy about her multimedia work, the museum, and neon, in general.
The Neon Museum features contemporary sculpture alongside historical signage and vintage ads. The museum is located at 3537 Chouteau Ave. and is available to rent for special events. Tours are also available.
Stefanie Kirkland, Director of Programming for The Sheldon, stopped by to talk with Nancy about the goings on at The Sheldon, including various programs and exhibitions.
Carrie Houk has spent her professional life as an actor, casting director, producer and teaching artist. Educated at HB Studio in NYC and the Conservatory of Theatre Arts at Webster University, she began her acting career at the Repertory Theatre of St. Louis and from there worked in NYC, LA and Chicago. She has cast over thirty films, numerous television shows and countless national commercials and has worked with directors Steven Soderbergh, Robert Altman, Alexander Payne, Howard Franklin, among others. She started her casting career in Chicago thirty five years ago and from there settled back in St. Louis to raise her daughter. She has produced two films and the critically acclaimed production of Tennessee Williams’s “Stairs to the Roof” directed by Fred Abrahamse. Adjunct professor of casting and acting at Webster University, Houk has also taught at Washington University and Columbia College Chicago.
Gina Grafos, Chief Curator of Visual and Literary Art for the KAF, stopped by to speak with Nancy about the various endeavors of the foundation. Subjects include the various galleries, exhibits, and projects happening, including "Walls Off Washington."
Music at the Intersection is a civic-led effort presented by Kranzberg Arts Foundation in partnership with Steward Family Foundation and The Regional Arts Commission (RAC) of St. Louis. First held in 2021, the festival tells the story of St. Louis’ musical, cultural and artistic heritage. It celebrates the city’s imprint on the American songbook, the relationship St. Louis has with its Mississippi River sister cities, and the musical genres that have been birthed and fostered locally. Music at the Intersection gives a spotlight to national acts as well as St. Louis-based musicians across blues, jazz, soul, R&B, hip-hop, & rock and roll.
The Pulitzer Arts Foundation is an art museum devoted to presenting the art of today and works from the past within a global context. Located in the heart of St. Louis for more than 20 years, its home is an architectural landmark designed by celebrated architect Tadao Ando. Open and free to all, the Pulitzer is a cultural and civic asset to the St. Louis community and a popular destination for visitors from around the world. ------
At the Pulitzer, expansive light-filled galleries host world-class art exhibitions and anchor an array of free programs, ranging from talks to concerts, literary readings, dance, performances, and wellness workshops. The Pulitzer is a place where ideas are freely explored, new art exhibited, and historic work reimagined. ------
In addition to the museum, the Pulitzer campus has several outdoor spaces, including Park-Like—a garden of native plants and pathways, the Spring Church—an open air stone pavilion and beloved landmark, and the Tree Grove—a shady picnic spot with oak and redbud trees. -------
Chris Denman stopped by to speak with Nancy about the happenings at Mid-Coast. ------
About Midcoast: Mid Coast Media is a collaboration of professionals experienced in entertainment-centric production, design and promotion. -----
Clients range from nationally known actors, comedians, musicians and brands to St Louis-based podcasters, artists, venues and events. ------
Our diverse, mix-and-match skillset offers clients a variety of creative solutions, all under one roof. ------
David Kirkland, the owner and executive chef of Turn Restaurant and David Kirkland Catering, believes food and music brings people together. He began his career in the early-1990's, bouncing from the Café at St. Louis Art Museum (Catering St. Louis) to Frazier’s Brown Bag, and then Venice Café. Kirkland learned everything he could from some of the city's best. In 1996, he moved to San Francisco and began focusing on his music interests, becoming a resident DJ at several clubs throughout the city. However, he never lost his love for the culinary arts, cooking for friends and family and exploring the area's now famous farm-to-table approach to food. After moving back to St. Louis, Kirkland returned to the kitchen with a mission, taking the helm at Café Osage in 2007. He opened Turn Restaurant and David Kirkland Catering in Spring of 2016.------
The Sheldon Concert Hall in St. Louis, Missouri was designed by noted 1904 World's Fair architect Louis C. Spiering and built in 1912 as the home of the Ethical Society of St. Louis. Musicians and public speakers throughout the years have enjoyed the perfect acoustics of the Sheldon Concert Hall, earning The Sheldon its reputation as "The Carnegie Hall of St. Louis." Well-known singers and ensembles have performed at The Sheldon, and speakers such as Albert Einstein, Dwight Eisenhower and Ernest Hemingway have spoken from its stage. The St. Louis Chapter of the League of Women Voters was founded in The Sheldon's Green Room. ———
When the Ethical Society relocated to St. Louis County in 1964, The Sheldon became primarily a music venue. Then, in 1974, a former singer with the Duke Ellington Orchestra purchased the facility, transforming The Sheldon into a church and the site for many jazz and gospel concerts. A California attorney with a love for chamber music purchased the building in 1984 at the urging of the Paganini String Quartet. He engaged Walter F. Gunn to restore the building and upon completion Gunn began operating The Sheldon in 1986 as a venue for concerts and community events. ———
Juan William Chávez is an artist and activist whose multidisciplinary practice extends across public sculptures, installations, paintings, drawings, and unconventional forms of beekeeping and agriculture. He often works collaboratively on social-practice projects that address the environment, food rights, and urban ecologies. His exhibitions focus on themes of the urban environment, ecology, sustainability, craft/labor, activism, identity, and archaeology of place. Chavez has exhibited at ArtPace, Van Abbemuseum, McColl Center for Art, Tube Factory Artspace, John Michael Kohler Arts Center, The Bemis Center for Contemporary Arts, Laumeier Sculpture Park, and Contemporary Art Museum St. Louis. Chavez’s work was most recently included in El Museo’s survey of contemporary Latinx art, ESTAMOS BIEN - LA TRIENAL 20/21. His interdisciplinary approach to art has gained the attention and support of prestigious institutions like the John Simon Guggenheim Foundation, Creative Capital, Graham Foundation, ArtPlace America, Andy Warhol Foundation, and Art Matters Foundation. Chávez holds a BFA from the Kansas City Art Institute and an MFA from the School of the Art Institute of Chicago. Chavez was born in Lima, Peru, and raised in St. Louis, MO, where is lives and work.
About Todd Mosby:
Award-winning instrumental composer and guitarist, Mosby is a storyteller and a landscape artist. He uses the guitar to whisk listeners away to a borderless realm where jazz, North Indian, composition and folk-rock create transformative experiences.
His latest album, Land Of Enchantment, is a gorgeous scrapbook of the visual, emotive, spiritual and cultural interactions Mosby has experienced within the New Mexico region of the United States.
Land of Enchantment, explores the mystique the New Mexico region and the passion it held for iconic American Southwest artists such as Georgia O’Keefe and Ansel Adams. Select album highlights include “Place In The Sun,” “Moonrise Samba,” and “Georgia’s World.”
Joe Gfaller joined Metro Theater Company as Managing Director in the summer of 2019. In partnership with Artistic Director Julia Flood, since his arrival MTC has seen record growth in donor and audience households and developed innovative new programs responding to the COVID-19 pandemic from The COVID-19 Memory Project to an all-St. Louis virtual reading of A Christmas Carol featuring Ellie Kemper, Sterling K. Brown, first responders, and many others. -----
Prior to joining MTC, Joe served for 8+ years as Director of Marketing and Public Relations for Opera Theater of Saint Louis, where he received national recognition for his work in building young, diverse, and national travel audiences for the company and in expanding OTSL’s civic footprint as producer of the company’s Opera Tastings initiative, through artist community tours, and through the creation and growth of the company’s Engagement + Inclusion Task Force and Young Friends Steering Committee. He has also served in marketing and/or development roles the Alliance Theater, the American Repertory Theater, and 7 Stages. As a consultant, he has worked with the National Blues Museum, the documentary Flint: The Poisoning of an American City, and the Utah Symphony, among others and served on a wide range of boards. As a professional stage director, he has directed over two dozen productions, including regional premieres by Caryl Churchill, David Mamet, Peter Sinn Nachtreib, and Addae Moon. He serves as adjunct faculty at Webster University in their Arts Management and Leadership MFA program, is a member of the Leadership St. Louis Class of 2013, the LEAD Atlanta Class of 2006, and graduated with honors from Harvard University. ------
Bulrush STL is a contemporary dining and craft bar experience in the Grand Center Arts District just a short walk to the Fox Theater and Symphony. Two-time James Beard semi-finalist chef, Rob Connoley features contemporary foods rooted in Ozark cuisine. Their goal is to define Ozark cuisine by looking into the past – the origin story, so to speak, when the indigenous Osage people first encountered the immigrants and settlers, who also brought the enslaved into the region known as the Ozarks. This is a messy story. A story often filled with troubling histories – histories that aren’t ignored. Their focus is on the food and using our platform to give voice to the story tellers of the past. They look at how each of these cultures offered ingredients, techniques and traditions to what melted together to become what we now know of as Ozark Cuisine.
Kirven Douthit-Boyd (Boston, MA) began his formal dance training at the Boston Arts Academy in 1999 and as a member of Boston Youth Moves under the artistic direction of Jeannette Neil and Jim Viera. Mr. Douthit-Boyd studied as a fellowship student at The Ailey School and on scholarship at the Boston Conservatory. He is a graduate of Hollins University where he earned an MFA in dance. ———
He began his professional career as a member of Ailey II from 2002–2004 and performed at Jacob’s Pillow Dance Festival as a member of Battleworks Dance Company in 2003. In June 2004, Mr. Douthit-Boyd joined the Alvin Ailey American Dance Theater performing both nationally and internationally for 11 years. During his tenure with the company, he performed leading roles in works choreographed by Alvin Ailey, Judith Jamison, Robert Battle, Ron K. Brown, Geoffrey Holder, Jiri Kylian, David Parsons, Camille A. Brown, Ulysses Dove, Christopher Wheeldon, Hofesh Shecter, Twyla Tharp, Wayne McGregor and Ohad Naharin. He joined COCA-Center of Creative Arts in 2015 as Co-Artistic Director of Dance with his husband Antonio Douthit-Boyd. In 2016, Mr. Douthit-Boyd joined Ron K. Brown/Evidence, A Dance Company as a guest artist. ———
In 2010, Douthit-Boyd performed at the White House tribute to Judith Jamison hosted by then first lady Michelle Obama. He has also appeared as a guest artist in ballet and contemporary dance galas in Argentina, Mexico and Canada. He is the 2014 recipient of the “Black Theater Alliance Award” for his performance in Wayne McGregor’s “Chroma,” the 2015 recipient of the “Next Generation in Leadership Award” from the Freedom House in Boston, the 2016 recipient of the Boston Arts Academy’s “Apollo Award” the 2021 recipient of the “Excellence in the Arts Award” from the Arts and Education Council in St. Louis, and the 2022 recipient of the Dance Teacher Magazine Award. ———
Douthit-Boyd has choreographed workshops for The Ailey School, The Juilliard School, Webster University, Boston Arts Academy, Boston Youth Moves and COCA. He has also choreographed works for Dallas Black Dance Theater and Ailey II. He is an ABT® Certified Teacher, who has successfully completed the ABT® Teacher Training Intensive in Pre-Primary through Level 5 of the ABT® National Training Curriculum and has completed Lester Horton Pedagogy studies under Ana Marie Forsythe in New York and St. Louis. He has also served as Distinguished Performing Artist at Washington University in St. Louis, where he taught modern dance in the collaborative MFA program between the University and COCA. ———
Dr. Frances Levine has been appointed the Interim Executive Director for the St. Louis Kaplan Feldman Holocaust Museum, the Museum. Dr. Levine will lead the Museum as it searches for a permanent Executive Director, to be selected in the coming months. ------
“Although I retired a few short months ago, I could not pass up an opportunity to lead this incredible team and project,” said Dr. Levine. “I was struck by the impact of the building, the excellence of the Museum exhibits, and the promise of the work we can do together in the St. Louis region and beyond.” -------
Dr. Frances Levine was the President and CEO of the Missouri Historical Society and Missouri History Museum from spring 2014 until summer 2022 when she retired. Dr. Levine led the successful reaccreditation of the Missouri Historical Society by the American Alliance of Museums in 2019, and the successful integration of the Soldiers Memorial Military Museum into the institutional organization of the MHS. Under her leadership, MHS received the first ever award for Diversity Equity and Inclusion awarded by the American Alliance of Museum in 2017. In 2019, she was named one of the most influential women in business by the St. Louis Business Journal and received a National Urban League Salute to Women Award in 2018. In 2021, she received the Norman A. Stack Award for Community Relations from the Jewish Community Relations Council in St. Louis. -----
Carol Crouppen Schuchard has lived and worked as a studio artist in St. Louis for twenty five years – exhibiting work in galleries and museums in the U.S. and abroad. Her degrees include the University of Missouri, Columbia, and post graduate studies at Fontbonne College and Washington University. ———
Patrick Schuchard, in a vibrant, eclectic career for over forty years, is a painter, sculptor, portrait artist, muralist, architect, and designer.------
He has exhibited his paintings and sculpture in museums and galleries throughout the U.S. as well as Europe and Asia. His work also appears in major public, corporate and private collections throughout the U.S. and he is one of the most accomplished, sought after museum quality portrait artists working today. ———
He has designed and produced over a dozen large scale public projects and murals. He is a creator and consultant for light railsystems, community development, and artist housing as well as architectural projects throughout the U.S. and particulary enjoys work on restorations of historic properties. ———
Under the name of Boo Cat Projects, Carol and her artist husband Patrick Schuchard have restored, renovated and designed dozens of historic landmark buildings. The Schuchards’ activities as painters and image makers center on the making, realization and uncovering peculiar beauty in the made object or built place. ———
Larry Morris is the Director of Artists in Residency for the Kranzberg Arts Foundation. He is also the Vocalist/MC for St. Louis music legends, Illphonics. He stopped by to speak with Nancy about the program.
The Kranzberg Arts Foundation has long been a major patron of the arts in St. Louis and is committed to aligning their resources to aid in and advance the flourishing renaissance of the arts in the St. Louis area. Growth in the local arts community is now more vigorous than ever, however, the shortage of affordable artists’ work and presentation spaces has been a clear obstacle in the path of our artists. In consideration of this problem and in support and recognition of St. Louis area artists, the Foundation is redefining and expanding our short and long-term residency programs. ———
The Foundation hosts partnerships with over 150 arts organizations and presenters in the St. Louis region and provides an intersection of arts venues and work environments that serve a full range of artistic processes. ———
Most of their venues are located in the heart of the Grand Center Arts District in Midtown St. Louis and are surrounded by some of St. Louis’ most distinguished cultural assets, including the Fox Theater, St. Louis Symphony, Contemporary Arts Museum, The Pulitzer Arts Foundation, Jazz St. Louis, the home of Public Media and so much more. ———
Sarah Colby and Shevaré Perry, 2023 Visionary Award winners speak with Nancy about the awards and their lives. ------
The Saint Louis Visionary Awards is a 501(c)(3) organization that celebrates the numerous contributions and achievements of women who work in or support the arts in the greater St. Louis region. -------
The Saint Louis Visionary Awards is presented by an independent committee of women dedicated to promoting the arts in St. Louis. -------
From established working arts professionals and arts educators to emerging artists and community impact artists, each year's honorees are always truly "visionary". ------
Jessica Hentoff, Artistic Executive Director of Circus Harmony, stopped by to talk about the mission and works of the organization. ------
Circus Harmony is a non-profit social circus organization that uses circus arts to motivate social change. By inspiring individuals and connecting communities with our circus education and entertainment programs, we have a positive impact on the St. Louis area and beyond. ———
Our programs teach valuable life skills like perseverance, focus, and teamwork. Learning circus with others teaches trust, responsibility and cooperation. Perhaps the most important experience we give our participants is the opportunity to meet and interact with children from different socioeconomic and cultural backgrounds than their own. ———
We believe the path to peace is a path of cooperation and communication. Teaching children from different neighborhoods how to stand on each other’s shoulders may seem like a strange way to take this path. But it’s the technique we use! Circus Harmony promotes peace through pyramids, joy through juggling and harmony through handsprings. ———
About Jessica Hentoff: Jessica has been teaching and performing circus arts for over 40 years. Ms. Hentoff has been using circus arts to motivate social change since she founded the St. Louis Arches youth circus performance troupe in 1989. She created Circus Harmony in 2001 to expand youth circus opportunities for St. Louis youth. In 2009, Ms. Hentoff was named both St. Louis Arts Innovator of the Year and Outstanding Arts Educator of the Year. Ms. Hentoff is the only person to be a founding member of both the Big Apple Circus in NYC and Circus Flora in St. Louis. She serves as youth circus advisor to both the Circus Fans Association of America and the World Circus Federation. In 2014, she was honored to be the first person to receive the American Youth Circus Organization/American Circus Educators’ Excellence in Circus Education Award. Jessica is the artistic/executive director of Circus Harmony where she uses her remarkable vision and use of circus arts to build character and community and to help children “defy gravity, soar with confidence and leap over social barriers.”
Dawn Karlovsky, Founder and Director of Karlovsky and Company Dance and Yaseen Manuel and Marlin Zoutemn of New World Dance Theater speak with Nancy about their careers, as well as the collaborative dance presentation "Conversations" on March 24th and 25th of 2023.
Karlovsky & Company Dance was established as a 501(c)(3) not-for-profit organization in 2012 by its Founder and Artistic Director, Dawn Karlovsky. Prior, the company operated as Dawn Karlovsky & Dancers from 2004-2012. Since the inception of the company, the work of Karlovsky & Company Dance has been commissioned internationally with tours to France and South Africa, and nationally presenting in New York City, Minneapolis and Duluth MN, Tulsa, and San Francisco-Bay Area. Karlovsky & Company Dance aspires to connect with audiences through the art of dance, and to provide an experience for the viewer that evokes personal reflection. ———
Through the company’s investigative choreographic approach, Karlovsky & Company Dance reaches diverse audiences with opportunities to witness and experience dance in a distinctive, thought-provoking manner. This process-oriented, somatically-motivated approach generates dances that are visceral, poignant, and expressively stimulating.
Karlovsky & Company Dance is committed to connecting with the community and offering educational outreach programs that helps to build more receptive and informed audiences. The works by Karlovsky & Company Dance bring depth and diversity to contemporary dance in St. Louis with an aim to make dance more accessible and to invigorate the artistic climate of our city. ———
The work of Karlovsky & Company Dance extends beyond the region with a long history of presenting site-specific community performances, concert work, and residencies nationwide and internationally. Karlovsky & Company Dance engages performing artists by promoting collaboration and facilitating employment opportunities for artists to cultivate and extend their own personal, artistic ambitions. ———
The company believes that the arts play an integral and vital role in our human existence and contributes to the cultivation of a healthy, evolving cultural future. Karlovsky & Company Dance is in residence at the Grandel Theatre in St. Louis, MO. ———
New World Dance Theatre is a Cape Town based contemporary dance company, with Celeste Botha and Marlin Zoutman at the helm of this exciting vibrant dance institution. Specializing in all facets of the entertainment and performing arts industry ------
The Rep is a live professional theatre company. Founded in 1966, The Repertory Theatre of St. Louis is a fully professional theatrical operation belonging to the League of Resident Theatres, The League of St. Louis Theatres and is a constituent member of Theatre Communications Group, Inc., the national service organization for the not-for-profit professional theatre.-----
Danny Williams became The Rep’s Managing Director in January 2022. An experienced arts administrator, Danny has expertise in nonprofit accounting, senior management, and organizational development. Prior to joining The Rep, Danny worked at The Public Theater in New York, where he served in various roles since 2006. Most recently, as Senior Director, Finance and Administration, he managed the daily and strategic financial operations of the $50 million nonprofit organization, successfully launched an organization-wide intranet, partnered with the development team to achieve fundraising goals, and collaborated on long-term financial planning and analysis, including cash investment strategies, budget analysis, and project management. Noteworthy and favorite productions include Broadway productions of Fun Home, Eclipsed, Hamilton, and Hair along with Off-Broadway productions of Here Lies Love, Into the Woods, Twelfth Night, As You Like It, White Noise, and Rock Bottom. ------
As a performer, Danny was featured in the 2002 Westport Country Playhouse pre-Broadway production of Our Town starring Academy Award winner, Paul Newman. He also performed extensively as an improvisor at various venues in New York. Williams directed several NY Fringe Festival productions including Gated and Yellow Brick Wall, both written by Marisa Marquez. For several years, Danny has been affiliated with the Warren Miller Performing Arts Center in Big Sky, Montana, bringing world class theater to the Treasure State. Danny produced productions of Shakespeare’s The Winter’s Tale, directed by Laura Savia, the world premiere production of Levity by Stephanie DiMaggio, directed by Stella Powell-Jones, The Last Five Years directed by Jason McDowell-Green, and [title of show] directed by Danny Sharron. -----
Williams has held roles with Musical Theatre International and Manhattan Theatre Club and has served as an adjunct professor in the performing arts management master of fine arts program at Brooklyn College. He earned degrees in marketing and theater from Fairfield University and spent a semester abroad studying at Regents University in the United Kingdom.------