Lee Anne Mathews, Artistic Director of 
For over 25 years, Jazz St. Louis has been the foremost presenter of jazz in St. Louis and throughout the region. We are dedicated to preserving the legacy of this musical genre. Hundreds of local and nationally renowned musicians, such as Wynton Marsalis, Diana Krall, Harry Connick, Jr. and Al Jarreau have graced our stage. Our state-of-the-art Ferring Jazz Bistro has earned praise from artists and patrons alike as one of the best listening rooms in the country. Year after year, Jazz St. Louis strives to be the leader in showcasing unique and diverse jazz performers and preserves the shared cultural heritage embodied in jazz music through our educational programs. ------
Gina Grafos, Director and Chief Curator of Visual and Literary Arts for the 
Lizzy Petersen is a poet from St. Louis, MO, where she works in public media and directs a student-run, after-school literary magazine, OutsideLitMag.com, through a partnership with St. Louis Public Schools. Her poetry has recently appeared in or is forthcoming in December, Image, Ninth Letter, Pinch, and Southern Humanities Review, among others. She has been recognized for her writing by the St. Louis Regional Arts Commission’s Artist Support Grant, the Mid-America Arts Alliance’s Interchange Fellowship, the River Pretty Poetry Scholarship, and the Dairy Hollow Writers Residency, and she was a 2019-20 Community Arts Training fellow at St. Louis Regional Arts Commission. She currently serves as a contributing editor for $: Poetry is Currency and has previously served as the Managing Editor of River Styx and Co-Poetry Editor for Sycamore Review at Purdue University, where she received her MFA in Poetry. ------
About "Forest Through The Trees": In art and in poetry, the beauty and power of trees is an alluring subject matter with infinite possibilities. The exhibition Forest Through the Trees pulls together a group of artists whose observations range from representation through landscape to conceptual experimentation where the tree is treated as both subject and object. The exhibition also incorporates works from Laumeier’s permanent collection that utilize trees, expanding the theme to our outdoor galleries. ------
Matthew is a John F. Kennedy Center for the Performing Arts award-winning educator, critically acclaim theatre performance artist featured in American Theatre Magazine, and a 2020 St. Louis Business Journal Diverse Business Leaders Award recipient. ———
HANA SHARIF (Augustin Family Artistic Director) has enjoyed a multi-faceted theatre career, including roles as an artistic leader, director, playwright and producer with a specialty in strategic and cross-functional leadership. She served for five years as Associate Artistic Director at Baltimore Center Stage, where she oversaw the day-to-day execution of all of the mainstage and studio productions, and was the architect of the innovative CS Digital program: a platform that pushes the boundaries of traditional theatre and looks at the nexus point between art and technology. Her other achievements at Baltimore Center Stage include prototyping the Mobile Unit, strengthening community engagement, producing multiple world and regional premieres and helping to guide the theatre through a multi-million dollar building renovation and rebranding effort. In 2012, Hana served as the inaugural Program Manager of the ArtsEmerson Ambassador Program and launched ArtsEmerson Artist-In-Residency program featuring playwright Daniel Beaty. In addition to her work at ArtsEmerson, Hana leveraged her regional theatre experience to freelance produce for smaller theatre companies, looking to expand and restructure their administrative teams. Hana served as developmental producer and program manager for Progress Theatre in Houston, where she consulted with the Artistic Director on redefining the artistic vision and subsequent recasting of the ensemble company and lead strategic organizational planning focused on LORT market entry. During her decade-long tenure at Hartford Stage, Hana served as the Associate Artistic Director, Director of New Play Development, and Artistic Producer. Hana launched the new play development program, expanded the community engagement and civic discourse initiatives, and developed and produced Tony, Grammy, Pulitzer and Obie Award-winning shows. From 1997–2003, Hana served as the co-founder and Artistic Director of Nasir Productions, a theatre dedicated to underrepresented voices to challenge traditional structures. Her guest lecturer credits include Spelman College, Sewanee University, UT Austin, UCSD, Prairie View A&M, Emerson College, Maggie Flanigan Studio, Towson University, UMD, UConn, UMass and University of Hartford, among others. Additionally, Hana has directed acclaimed productions of Porgy & Bess, The Who & The What, Fun Home, Sense and Sensibility, The Christians, Les Liaisons Dangereuses, Pride and Prejudice (DCArts: Best Director/Best New Play), The Whipping Man, Gem of the Ocean (six CCC nominations), Gee’s Bend (CCC Award Best Ensemble, two nominations), Next Stop Africa, Cassie, The Drum and IFdentity. Her plays include All the Women I Used to Be, The Rise and Fall of Day and The Sprott Cycle Trilogy. Hana holds a BA from Spelman College and an MFA from the University of Houston. She is the recipient of the 2009–10 Aetna New Voices Fellowship, EMC Arts Working Open Fellowship, Theatre Communications Group (TCG) New Generations Fellowship, and is a founding member of The Black Theatre Commons (BTC). She serves on the board of directors for the TCG, BTC, and the Sprott Foundation.
Sheila Suderwalla, Executive Director of Artists First, stopped by to discuss the good works of the organization, including the In View Mural Project. ---- 
As Curator at the Mildred Lane Kemper Art Museum, Meredith Malone conducts research on the Museum’s permanent collection, propose new acquisitions, and conceptualize scholarly exhibitions of modern and contemporary art that enrich learning and research for the Washington University community and beyond. She is particularly interested in diversifying the Museum’s collections to include greater parity (race, ethnicity, gender, geographic location) and examining critical histories and theories of race, class, and gender in relation to the production, reception, and interpretation of art. Currently, she is working on exhibitions of artwork by two US-based contemporary artists who critically address issues of race and representation in their work: Nicole Miller, who explores the transformative capabilities of the moving image to recalibrate interpretations of self and culture; and Adam Pendleton, whose conceptual works draw on historical and aesthetic visual content to explore the ways context influences meaning. Meredith is also coordinating an exhibition from the National Portrait Gallery that includes work by artists from across the country offering perspectives on cultural identity, race, immigration, and mass incarceration, among other pressing topics. ----- 
Vincent Stemmler is an interdisciplinary artist from St. Louis, Missouri whose work is often a contemplation on the interplay between identity, place, and loss. Vincent received a BFA from the School of the Art Institute of Chicago and an MFA from Southern Illinois University Edwardsville. Vincent is currently an adjunct professor at Florissant Valley Community College and University of Missouri, St. Louis, teaching ceramics, sculpture and drawing classes. Vincent’s most notable recent exhibitions include two solo shows : “Sticks In the Mud” and “The Garden of the Void” and a nationally juried group exhibition at Miami University as a finalist in the 2019 Young Sculptors Competition.Stephanie Weissberg, a curator at the Pulitzer Arts Foundation, stopped by to speak with Nancy about the Pulitzer and the current exhibition, Assembly Required.
Assembly Required features eight artists whose work invites your active participation. You may build, shape, and use these artworks, collaboratively or on your own. The artists were selected based on a shared belief that public action is vital for transforming society.
Created between the 1950s and the present, the artworks respond to distinct social and political moments, from unrest in the United States during the Vietnam War to Peru’s military dictatorship. The artists offer unique perspectives on social change, addressing the need for optimism and hope in the face of global tensions.
Throughout this immersive exhibition, members of the public will interact with the artworks and each other while sharing new experiences. Ultimately, Assembly Required poses questions about how art allows us to imagine new ways of being in the world.
Assembly Required includes work by Francis Alÿs, Rasheed Araeen, Siah Armajani, Lygia Clark, Hélio Oiticica, Yoko Ono, Lygia Pape, and Franz Erhard Walther.
The Arts and Education Council of Greater St. Louis is a unique asset in our community. The Arts and Education Council is our region's only united arts fund supported by private contributions from individuals, corporations, foundations and institutions committed to the value and benefit of the arts to our community. ------- 
About the Exhibition: In 2000 the Saint Louis Art Museum purchased Cavaliere d’Arpino’s Perseus Rescuing Andromeda, an exceptional painting on lapis lazuli. The acquisition of the small, stunning work of art spurred extensive research that culminates in Paintings on Stone: Science and the Sacred 1530–1800, the first systematic examination of the pan-European practice of this unusual and little-studied artistic tradition. ———
An engaging Artist and Education professional with an abundance of experience working in educational arts, Grant Benoit comes to Craft Alliance following a tenure as the museum educator at the Louisiana State University (LSU) Museum of Art where he coordinated, developed and taught K-12, adult and university programs. Benoit received his MFA in Printmaking from Southern Illinois University and exhibits both nationally and internationally.----
Kim Eberlein, Co-Chair of 
Founded in 1976, Laumeier is one of the first and largest dedicated sculpture parks in the country. In 1968, Mrs. Matilda Laumeier bequeathed the first 72 acres of the future Laumeier Sculpture Park to St. Louis County in memory of her husband, Henry Laumeier. In 1976, local artist Ernest Trova gifted 40 artworks, with an estimated market value of approximately one million dollars, to St. Louis County for the formation of a sculpture park and gallery. Laumeier Sculpture Park opened as part of the St. Louis County Department of Parks and Recreation system on July 7, 1976. One year later, Laumeier Sculpture Park was officially incorporated.
Jessica Adkins is a multi-instrumentalist, instructional designer, philosopher, and filmmaker. Originally from Milwaukee, she moved to St. Louis in 2014 to pursue a PhD in Philosophy with a minor in Women and Gender Studies at SLU. Her dissertation focused on the public exhibition of anatomical bodies. She can most often be found around town playing accordion in The Opera Bell Band, Ryan Koenig and the Goldenrods, and The So Grand Polka Band. The pandemic allowed her the free time to concentrate on composing original polka scores, and she hopes to help keep polka music alive in St. Louis. In her free time, she creates stop motion videos out of paper and has placed 2nd in the City Garden Film Competition and has been screened at the St. Louis International Film Festival.
Raised in Kirkwood, Missouri, Sarah Paulsen is an artist, filmmaker and community organizer whose artwork has been exhibited widely in local and national exhibitions, and whose prize-winning films have been featured in the St. Louis International Film Festival, the True/False Film Festival, the Black Maria Film Festival, the Motivate Film Festival and the Chicago International Children's Film Festival, among many others. She was a 2018 Great Rivers Biennial Winner culminating in an exhibit at the Contemporary Art Museum, St. Louis. A 2010 C.A.T. Institute fellow and 2015 Regional Arts Commission Artist Fellow, she has garnered numerous awards for her work and also completed several residencies – including the Cite Internationale des Arts, Paris. A dedicated advocate for social change, a key aspect of Paulsen’s practice has always involved the orchestration of large-scale community projects, such as participatory public murals, thematic round-table discussions and the now-annual People’s Joy Parade on Cherokee Street, currently in its ninth year. Paulsen holds a B.A. in visual art from the University of Missouri, Columbia and an M.F.A. from the Sam Fox School of Design and Visual Art at Washington University. She lives and works in St. Louis, where she teaches art and animation at Marian Middle School and local colleges.
Catherine is an award winning writer/director, actress and musician. Her first feature film, Parallel Chords, was released theatrically in Los Angeles after winning a number of awards at national film festivals. She has taught at the NY Stage & Film Program, the Broadway Theater Institute, and been a guest artist, director and performer internationally. She is a National Film Challenge winner, and an Emerging Director finalist in Seattle. She was a kick off speaker for the Citizen Jane Film Festival, celebrating female directors, and recently she was chosen to receive a RAC grant. She is an NEA (National Endowment for the Arts) funded grant recipient for her feature length screenplay Parallel Chords, and has been commissioned to write three other screenplays. Mentioned in LA Times, Hollywood reporter and Women and Hollywood for Parallel Chords winning "Best Feature Writer" sponsored by the Writer's Guild of America, West. ------