Lauren Ross, Executive Director of Laumier Sculpture Park, stopped by to speak with Nancy about the park and the current and upcoming exhibits, including Salutary Sculpture, which runs through May 15th, 2022. -------
Founded in 1976, Laumeier is one of the first and largest dedicated sculpture parks in the country. In 1968, Mrs. Matilda Laumeier bequeathed the first 72 acres of the future Laumeier Sculpture Park to St. Louis County in memory of her husband, Henry Laumeier. In 1976, local artist Ernest Trova gifted 40 artworks, with an estimated market value of approximately one million dollars, to St. Louis County for the formation of a sculpture park and gallery. Laumeier Sculpture Park opened as part of the St. Louis County Department of Parks and Recreation system on July 7, 1976. One year later, Laumeier Sculpture Park was officially incorporated.
Today, Laumeier Sculpture Park is an internationally recognized, nonprofit arts organization that is accredited by the American Alliance of Museums and operates in partnership with St. Louis County Parks. Projects and programs are supported by the Mark Twain Laumeier Endowment Fund, the Regional Arts Commission, the University of Missouri-St. Louis, Missouri Arts Council and the Arts and Education Council of St. Louis. Laumeier presents more than 70 works of large-scale outdoor sculpture in a 105-acre park located in the heart of St. Louis County. Free and open daily, Laumeier serves 300,000 visitors of all ages each year through sculpture conservation, education programs, temporary exhibitions and public events. -------
In 2015, Laumeier closed its first major capital campaign, Sculpting the Future, culminating in the renovation of the Laumeier’s 1917 Estate House into the Kranzberg Education Lab and the construction of the new Aronson Fine Arts Center for exhibitions, programs and events. -------
Alonzo Townsend, Founder of The Townsend and Three Agency, stopped by to talk with Nancy about his career and his agency's new collaboration with the Dark Room at the Grandel. ------
The Townsend and Three Agency has taken over booking for the the Dark Room at the Grandel concert series. The artist, entertainment, and booking agency is owned by Alonzo Townsend of St. Louis. ———
Alonzo Townsend is the son of the Grammy-winning St. Louis blues musician Henry Townsend, who died in 2006, and his mother was also a musician of note, blues singer Vernell Townsend. He started working for his father, on the business side, at the age of nine, and his career progressed from there. ———
His spoken word recording, “A Letter To My City,” was featured as a part of the 18 N 18 St. Louis Blues Society Compilation Album. Townsend is a speaker and writer and board member for the St. Louis Blues Society, Blues Education programs including “Hip-Hop to The Blues,” and a presenter/youth educator for Blues in The Schools Programs. ———
“I want to make sure we have a platform to showcase the legends we still have,” he has said. ———
“But this is also where we get to highlight the underdogs, the future, who are looking for opportunities but don’t always get the co-sign, don’t get the opportunity when it comes to getting chosen for certain festivals and certain stages.” ———
Jessica Adkins is a multi-instrumentalist, instructional designer, philosopher, and filmmaker. Originally from Milwaukee, she moved to St. Louis in 2014 to pursue a PhD in Philosophy with a minor in Women and Gender Studies at SLU. Her dissertation focused on the public exhibition of anatomical bodies. She can most often be found around town playing accordion in The Opera Bell Band, Ryan Koenig and the Goldenrods, and The So Grand Polka Band. The pandemic allowed her the free time to concentrate on composing original polka scores, and she hopes to help keep polka music alive in St. Louis. In her free time, she creates stop motion videos out of paper and has placed 2nd in the City Garden Film Competition and has been screened at the St. Louis International Film Festival.
Independent Visual Artist, Sarah Paulsen, stopped by to talk to Nancy about her life and work. -----
Raised in Kirkwood, Missouri, Sarah Paulsen is an artist, filmmaker and community organizer whose artwork has been exhibited widely in local and national exhibitions, and whose prize-winning films have been featured in the St. Louis International Film Festival, the True/False Film Festival, the Black Maria Film Festival, the Motivate Film Festival and the Chicago International Children's Film Festival, among many others. She was a 2018 Great Rivers Biennial Winner culminating in an exhibit at the Contemporary Art Museum, St. Louis. A 2010 C.A.T. Institute fellow and 2015 Regional Arts Commission Artist Fellow, she has garnered numerous awards for her work and also completed several residencies – including the Cite Internationale des Arts, Paris. A dedicated advocate for social change, a key aspect of Paulsen’s practice has always involved the orchestration of large-scale community projects, such as participatory public murals, thematic round-table discussions and the now-annual People’s Joy Parade on Cherokee Street, currently in its ninth year. Paulsen holds a B.A. in visual art from the University of Missouri, Columbia and an M.F.A. from the Sam Fox School of Design and Visual Art at Washington University. She lives and works in St. Louis, where she teaches art and animation at Marian Middle School and local colleges.
Catherine Dudley-Rose, independent filmmaker, actress, and musician stopped by to speak with Nancy about her life and career.
Catherine is an award winning writer/director, actress and musician. Her first feature film, Parallel Chords, was released theatrically in Los Angeles after winning a number of awards at national film festivals. She has taught at the NY Stage & Film Program, the Broadway Theater Institute, and been a guest artist, director and performer internationally. She is a National Film Challenge winner, and an Emerging Director finalist in Seattle. She was a kick off speaker for the Citizen Jane Film Festival, celebrating female directors, and recently she was chosen to receive a RAC grant. She is an NEA (National Endowment for the Arts) funded grant recipient for her feature length screenplay Parallel Chords, and has been commissioned to write three other screenplays. Mentioned in LA Times, Hollywood reporter and Women and Hollywood for Parallel Chords winning "Best Feature Writer" sponsored by the Writer's Guild of America, West. ------
Andrew Newman, photographer and Educator at the John Burroughs School, stopped by to speak with Nancy about his exhibition, Plastic Ocean, at the Bonsack Gallery.
About Andrew Newman:
Andrew Newman ’87 joined the Burroughs faculty in 1992. He teachers photography and is the school photographer. Newman is also the faculty coordinator of Student Activities; faculty sponsor of the Student Congress; and a faculty co-sponsor of The Hague International Model United Nations. He holds a bachelor of arts degree from Vanderbilt University and a masters of education degree from Washington University.
About Plastic Ocean:
Andrew Newman spent part of his sabbatical year from John Burroughs School out on the ocean studying and photographing the "Great Garbage Patch," an enormous area in the ocean littered with the refuse of humanity, especially plastics. ------
Researchers from The Ocean Cleanup project claimed that the patch covers 1.6 million square kilometres (620 thousand square miles).[4] Some of the plastic in the patch is over 50 years old, and includes items (and fragments of items) such as "plastic lighters, toothbrushes, water bottles, pens, baby bottles, cell phones, plastic bags, and nurdles." The small fibers of wood pulp found throughout the patch are "believed to originate from the thousands of tons of toilet paper flushed into the oceans daily." ------
Prinze Lyons, Dancer, Choreographer, and Filmmaker, stopped by to speak with Nancy about his career and his latest project, a dance centered film. ------
Prince Lyons is a professional freelance performing artist and creative from St. Louis, MO. Prince began his dance journey at Best Dance and Talent Center under the direction of Judy Best-Person and received his BFA from Webster University— Cum Laude with an emphasis on ballet. ------
Prince has danced for Visceral Dance Chicago, The Cambrians, Owen/ Cox Dance Group, and Rambert II. Throughout his performance career, Prince has performed works by Diane McIntyre, Kevin O’Day, Robyn Mineko-Williams, Benoit Swan-Pouffer, Jermaine Spivey, Ohad Naharin, Sidi Larbi, Damien Jalet and worked with recording artists like Jessie Ware. ------
Prince has choreographed on Visceral Dance Chicago, Big Muddy Dance Company, is the 2018-2019 winner of Western Michigan University’s Department of Dance National Choreography Competition, and is the Co-Founded and premiered The K/P Project St. Louis in June of 2021. Additionally, Prince is Jaquel Knight Foundation Grant Recipient and a published model working with Nike, Kohls, JD Sports/Finishline, and Dicks Sporting Goods. His more artistic portraits have premiered in art galleries worldwide from Montreal, Canada, to Melbourne, Australia. ------
Mario Farwell, play-writer, librettist, and screenwriter stopped by to speak with Nancy about his life and career. ------
Mario Farwell is a native of St. Louis Missouri. He attended the University of MO at Kansas City and received a B.A in Theater. While in Kansas City, he founded The Black and Avant-Garde Theatre. After graduating college, he moved to New York City and lived there for eighteen years. His plays and musicals have been produced off-off Broadway in NYC, San Diego, CA, Minneapolis, MN, and St. Louis, MO. Mario Farwell is the founder and current director of St. Louis Writers’ Group in St. Louis, MO. The group’s mission is the development of local scriptwriters’ works. ———
Mario has been writing plays, musicals, and screenplays for over thirty years. His insight into the complexity of the human psyche began at an early age. As a young boy, he would spend hours at his mother’s beauty shop. There he carefully observed the many eccentric characters that patronized the shop. He soaked in all the wonderful gossip and stories that the neighborhood women would spin. His play The Seamstress of St. Francis Street was strongly influenced by this experience. The Seamstress of St. Francis Street was fully staged by First Run Theatre in August 2007. The play also won the Inaugural E. Desmond Lee Playwriting Competition, and the award-winning play was turned into a feature film entitled Pennies for the Boatman. The film has won several awards which includes Best Film and Screenplay at the Madrid International Film Festival. ———
The Seamstress of St. Francis Street was produced in 2010 in Ghana, Africa by the University of Ghana at Legon. ———
His plays have won The Emerging Playwright Awards at Urban Stages in NYC, been included in the Summer Play Festival at Jungle Theatre in Minneapolis, MN, won Best Play at Scripteaser in San Diego, CA, and nine of his plays have been selected for production at First Run Theatre in St. Louis, MO. ———
Mario’s full-length plays include Last Days of Café Café, Life Among the Trees, The Healing of Joey Padowaski, The Seamstress of St. Francis Street, You Know I Can’t Eat Buffalo Meat When There’s a Terrorist on the Loose, Apollo's Way, and Icarus Wings. He has written numerous one-acts: I AM GOAT, Service With a Smile, Beans, Naughty Boy, Naughty Girl, The Body Exchange and Don’t Hate Me ‘Cause I’m Beautiful are a few of his short plays. ———
He has also written a screenplay entitled, The Eyes of Forever. He is currently working on completing two musicals, the first Joan of Arc a musical drama based on the life of Joan of Arc and the second musical entitled Starfest is a sci-fi adventure infused with Afro-American culture and music. Recently, Mr. Farwell has produced and directed a showcase production of his musical Joan of Arc.
Rick Recht, musician and Executive Director of Jewish Rock Radio, stopped by to talk about his career and his involvement at the internet radio station. -------
About Jewish Rock Radio: -------
Mission: Jewish Rock Radio is the flagship initiative of Judaism Alive, a non-profit 501c3. The mission of Jewish Rock Radio (JRR) is to strengthen Jewish identity and engagement for youth and young adults through the power of music. -------
BACKGROUND: Jewish Rock Radio, the first high-caliber, 24-7, Jewish rock internet radio station was founded in 2009 by Jewish music pioneer, Rick Recht. JRR serves as a powerful network, promoting and elevating the international Jewish artist community while sharing a wealth of engagement opportunities available in the Jewish world for teens and young adults. -------
JRR has launched a variety of impactful initiatives including JRR Live Across America, The JRR Gift of Music, and the Jewish Star North American Talent Search to identify, attract, and support new talent in the Jewish world. -------
Kristen Sorth, Director and CEO of the St. Louis County Library System, stopped by to speak with Nancy about the goings on at the SLCL. ----
Among the happenings are the community outreach programs, including the diaper give-aways, and period supply give-aways for those that need them.----
Also discussed are the covid protocols and the ways the library has handled things during the pandemic, with curbside book programs, and online functions... as well as the massive renovation project happening within the system. ----
“I really believe I have the greatest job ever,” says Sorth, who celebrated 20 years with the St. Louis County Library in 2018. “All I have to do is walk into a branch and see the level of engagement between our staff and the community to know that all of our efforts are worth it.” When Sorth became Director in 2013 – the first woman to hold the title for the library system – she took over management of its more than 650 employees and $50 million annual budget and faced an enormous task ahead – a $120 million capital improvement project to renovate or replace 19 of the library’s 20 branches. (The project is on track for completion in 2022.).
Renée Franklin, Chief Diversity Officer for the St. Louis Art Museum, stopped by to speak with Nancy about her role at the Museum, and the Romare Bearden Graduate Museum Fellowship, among other topics.
Renée Brummell Franklin is the Chief Diversity Officer at the The Saint Louis Art Museum, a new position that will oversee the implementation of a report on diversity, equity, access and inclusion that was adopted in summer of 2020 by the museum’s board of commissioners. Franklin works closely with all museum departments to implement the report, which details immediate, actionable initiatives as well as longer-term considerations.
Franklin joined the museum as coordinator of community outreach programs in 1998. During her time at the museum, she has served in a sequence of roles of increasing responsibility. Most recently as director of audience development, Franklin led the museum’s efforts to expand and cultivate sustainable relationships with diverse audiences.
Franklin helped develop several successful initiatives at the museum, including the Friends of African American Art Collectors Circle, the Art with Us youth residency program, and the Teen Assistant Program, a mentoring program that includes paid, summer employment. Franklin has long overseen the Romare Bearden Graduate Museum Fellowship, a national model for increasing under-represented professionals working in museums.
Franklin received a master’s degree in education and master’s degree in business administration from Webster University and a bachelor’s degree in marketing and business administration from Towson University.
Professor Timothy G. Solberg of Washington University stopped by to speak with Nancy about a new course that aims to teach people about how to manage the arts as a business.
Tim Solberg has been appointed as the academic director for the business of the arts minor at WashU Olin. The business of the arts minor integrates specialized coursework, experiential learning and rich networking opportunities for undergraduate students looking to gain a deeper understanding of how business principles apply to a range of arts-related fields.
Launched in 2018, the program offers students a framework of business, financial, marketing and strategic approaches for managing a career out of their artistic pursuits.
Tim joined the Olin faculty in 2018. He is a professor of practice in finance as well as the academic director of the corporate finance and investments platform. He will lead the business of the arts minor program in opportunities that engage faculty, students, alumni, and community members.
The minor launched with a generous donation from Richard Ritholz, BSBA ’84, his wife Linda, who expressed a commitment to challenging students to practice their artistic endeavors with rigor and business savvy. The Ritholz’s donation is targeting the creation of new courses, experiential learning opportunities in the arts, scholarship funding and internship stipends, and paying for faculty members to teach and publicize the program.
“I am excited to be the academic director of the business of the arts program. I have always had a deep commitment to the arts, whether performing or design, or literature,” Tim said.
“We are designing a program that will have on-site experiential learning with fashion and garment design and creation, gallerists and museum managers, theater and media producers to learn the backstage operations methods. With my teaching experience in arts management at the premier arts and media management school in Chicago, Columbia College, and my own musical education, I am eager to mix finance and management with the arts and provide a hands-on experience for the students.”
In addition to his background in the arts, Tim has worked 30 years in finance, including as a corporate banker and investment advisor for endowment and foundation trustees on their asset allocation and spending policies.
Shaka Myrick and Delyn Stephenson, Romare Bearden fellows at the Saint Louis Art Museum, stopped by to talk with Nancy about their fellowships and the work they are doing at the museum.
ABOUT THE ROMARE BEARDEN GRADUATE MUSEUM FELLOWSHIP:
The Romare Bearden Graduate Museum Fellowship is a critical component in the museum’s long-established commitment to increase diversity among its professional staff. Past fellows have gone on to hold key positions at the Saint Louis Art Museum, as well as at other noteworthy museums and universities, including the Art Institute of Chicago, National Gallery of Art, Philadelphia Museum of Art and University of Texas at Austin.
Named for African-American artist Romare Bearden, the paid fellowship is designed to prepare graduate students of color seeking careers as art historians and museum professionals. Fellows gain valuable hands-on experience working throughout the Art Museum on specific assignments tailored to their background and interests. Since the program’s inception in 1992, Bearden Fellows have spent their year teaching, researching works in the collection, developing programming, writing gallery materials and assisting curators with the development of exhibitions.
This year’s expansion of the fellowship is funded in part by the Romare Bearden Fellowship Endowment, which was created with a $100,000 gift from the Frost family.
About SHAKA MYRICK
Shaka Myrick (2021-2023) earned a bachelor’s degree in painting at the University of Missouri in Columbia and spent the next decade working and interning at the NYCH Art Gallery in Chicago, the Museum of Contemporary Art Denver and the Nelson-Atkins Museum of Art and the Kemper Museum of Contemporary Art in Kansas City. She earned a master’s degree in art history from the University of Missouri–Kansas City, where she concentrated on West African culture and presence in Brazil. Last year, Myrick curated Real Black, the first exhibition featuring all Black artists at the UMKC Gallery of Art.
About DELYN STEPHENSON
Delyn Stephenson (2021-2022) earned a bachelor’s degree in art history and archaeology at the University of Missouri in Columbia and a master’s degree in history through the Museums, Public History, and Heritage program at the University of Missouri–St. Louis. While at UMSL, Stephenson worked with the Griot Museum of Black History to create the exhibition Still We Thrive: The Neighborhoods of Fountain Park, Lewis Place, and The Ville. She also completed an internship with the Contemporary Art Museum St. Louis and worked at the National Blues Museum in St. Louis.
Susan Barrett, President of Barrett Barrera Projects, stopped by to speak with Nancy about BBP’s acquisition of the photographs of Ann Ray concerning the life and work of the late fashion designer Alexander McQueen, among other subjects
Ann Ray is a French visual artist. She is self-taught in photography, except for alternative processes, which she studied during her studies at Central Saint Martins in London. During the late nineties, she lived in Tokyo and London, where she forged an unbreakable relationship with Lee Alexander McQueen, whom she immediately recognized as a pure artist. This was the start of an intense friendship and artistic collaboration that was as prolific as it was unique. From 1997 until the designer’s tragic end in 2010, Ann Ray’s caring gaze captured the spirit of the man and the essence of his work in many intimate situations: portrait sessions, at work in the studio, during performances – images of truth that reveal McQueen’s creativity. Ray first revealed part of her work with McQueen to the public during the exhibition Les Inachevés: Lee McQueen, at the 2018 edition of the Rencontres d’Arles. In 2019, she presented the exhibition Blind Faith, at Ca’Pesaro in Venice, showing a series of portraits she took of different artists with their eyes closed. She is currently working on a creative documentary, a feature film, and she is preparing the publication of a collection of poems and images, as well as her first novel.
Lee Alexander McQueen is a British fashion designer who founded the iconic, eponymous label and served as chief designer of Givenchy from 1996 to 2001. McQueen was known for designing outside the conventions of the fashion world, often taking inspiration from avant-garde installations, theatre, performance art, and gothic fairytales. The immersive experience of his runway shows allowed fashion to transcend commodification. McQueen saw fashion as an artistic medium—one capable of evoking thesublime and providing commentary on identity, culture, values, and politics. His work has been shown at The Metropolitan Museum of Art and the Victoria and Albert Museum in the solo exhibition Savage Beauty
.
Hannah Klemm, the associate curator of modern and contemporary art, curates the museum’s “Currents” and “New Media Series” exhibitions. Klemm previously was the Fisher Collection Graduate Curatorial Fellow at the San Francisco Museum of Modern Art, where she has worked on the contemporary German art collection. She holds a doctorate from the University of Chicago, a master’s degree in art history from the Courtauld Institute of Art and a bachelor’s degree in art history with honors from Sarah Lawrence College. Klemm has received several fellowships and awards, including a 10-month research fellowship from the German Academic Exchange Service at Humboldt University in Berlin.
About Currents 120: Jess T. Dugan - Through February 20, 2022
St. Louis–based artist Jess T. Dugan is known for their color photographs that explore the power of identity, desire, and connection. In Currents 120: Jess T. Dugan, the museum presents a selection of 20 recent works—portraits, self-portraits, and still lifes—many of which were created specifically for this exhibition. Within a framework of queer and nonbinary experience and from an actively constructed sense of masculinity, Dugan’s portraits examine intersections between individual identity and the search for intimate connection with others.
About Art Along the Rivers: Through January 9, 2022
The exhibition includes a surprising range of objects that vary widely in medium, function, and the prominence of their makers. For example, it brings together Mississippian sculpture, Osage textiles, architectural drawings for iconic landmarks, musical instruments, German and Creole furniture, African American decorative arts, prize-winning paintings from the 1904 St. Louis World’s Fair, and contemporary artists’ responses to these historic objects. While at first these works might appear to have few connections, the exhibition arranges them by theme rather than by culture or chronology to establish dialogues around the region’s geography, raw materials, and pressing social issues.
About Oliver Lee Jackson: Through February 20, 2022
Oliver Lee Jackson is known for creating complex and layered images in which figurative elements—or what he calls “paint people”—emerge from abstract fields of vibrant color. Jackson’s practice is informed by a deep understanding of global art history—from early modern European painting to African art. Yet his works do not aim to elevate a single message, narrative, or meaning. Rather, the works serve as an open invitation to slow and close looking, encouraging viewers to stake emotional claim on the paintings and not wait for instructions on what to see.
David Brinker, Director of the Museum of Contemporary Religious Art, stopped by to talk with Nancy about the museum as well as the current exhibition Tom Kiefer: Pertenencias / Belongings Sept. 3 – Dec. 19, 2021.
About MOCRA: Through exhibitions, collections and educational programs, MOCRA highlights and explores the ways contemporary visual artists engage the religious and spiritual dimensions. MOCRA serves the diverse Saint Louis University community, and the wider public, by facilitating personal discovery, experience and inspiration, while contributing to a wider culture of interfaith encounter and dialogue.
About Tom Kiefer: Pertenencias / Belongings
In July 2003, fine art photographer Tom Kiefer started working part-time as a janitor and groundskeeper at a U.S. Customs and Border Protection processing facility near Ajo, Arizona. In mid-2007, he was given permission to collect food confiscated from migrants and asylum seekers and donate it to a local food pantry. He was deeply moved at finding personal belongings in the trash bins along with the food. These items, necessary for hygiene, comfort and survival, were deemed “non-essential” or “potentially lethal” and seized and discarded by officials. Kiefer began to quietly rescue what items he could, and he resigned from his job in August 2014 to focus on photographing and documenting them in an ongoing project titled El Sueño Americano / The American Dream.
Museum of Contemporary Religious Art
Saint Louis University
221 N. Grand Blvd.
St. Louis, MO 63103
Eddie Coffield, Artistic Director of The New Jewish Theatre, Stopped by to talk with Nancy about the theatre, in general, as well as the upcoming Season.
Eddie Coffield brings three decades of experience to the J, including 16 years with New Jewish Theatre as Associate Artistic Director. During this time, he has directed more than 15 productions including My Mother’s Lesbian Jewish Wiccan Wedding, Yentl, and Driving Miss Daisy (original 2005 NJT production). Many of the productions have been Award-winning – The Immigrant, From Door to Door, Jacob and Jack and many others.
The New Jewish Theatre was an outgrowth of the long history of theatre programming of the Jewish Community Center. In 1997, the need was recognized to develop a professional theatre program with programming that reflected the Jewish experience. Since its inception, the theatre has continued to grow at an exponential rate, both in size and in quality. The original season of three productions of eight performances has expanded to the current season’s five productions of 12 performances each.
The New Jewish Theatre’s home is the state-of-the-art Marvin & Harlene Wool Studio Theater, located in the Arts & Education Building of the J’s Staenberg Family Complex.
Cabaret at the J: A Little Song, A little Dance, A Little Seltzer Down Your Pants! starring Eric Williams and Sharon Hunter
Saturday, December 18, 7:30pm
Sunday, December 19, 2pm
The Theatre is located at... 2 Millstone Campus Drive Creve Coeur, MO 63146
Ticket and information hotline: 314-442-3283
Dana Turkovic, Curator of Laumeier Sculpture Park, and Aida Šehović, Independent Artist stopped by to talk about Aida's exhibition ŠTO TE NEMA, which runs through December 19, 2021.
Aida Šehović is an artist and founder of the ŠTO TE NEMA nomadic monument. The project began as a one-time performance with a presentation of the first 923 collected porcelain cups (fildžani) in 2006. Since then, ŠTO TE NEMA has evolved into a participatory community art project organized in close collaboration with Bosnian diaspora communities in a different city each year. For the past 13 years, ŠTO TE NEMA has traveled throughout Europe and the United States, and currently consists of more than 7,500 donated cups (fildžani). This year Šehović worked with Bosnian diaspora communities in Switzerland to bring ŠTO TE NEMA to Helvetia Platz in Zürich on July 11, 2018.
Aida Šehović was born in Banja Luka, Bosnia and Herzegovina, and like thousands of fellow Bosnian Muslims, fled her country due to threat of systematic violence and persecution in 1992. She lived as a refugee in Turkey and Germany before immigrating to United States in 1997. Šehović earned her BA from the University of Vermont in 2002 and her MFA from Hunter College in 2010. She received the ArtsLink Award in 2006, the Jacob K. Javits Fellowship in 2007, the Emerging Artist Fellowship from Socrates Sculpture Park in 2013, and the Fellowship for Utopian Practice from Culture Push in 2017. She was an artist-in-residence at the Santa Fe Art Institute, the Vermont Studio Center, the Grand Central Art Center, and the Lower Manhattan Cultural Council. Her work has been exhibited extensively including at Flux Factory, Socrates Sculpture Park, and Queens Museum in New York City, where the artist is based.
About ŠTO TE NEMA:
When Bosnia and Herzegovina declared its independence from Yugoslavia in 1992, ethno-national divisions plunged the country into war. In July of 1995, Bosnian Serb forces invaded a United Nations Safe Area that included the town of Srebrenica, where thousands of Bosnian Muslims had sought refuge from the surrounding violence. While Bosnian Muslim women and girls were forcibly displaced from Srebrenica following the invasion, the remaining 8,373 men and boys were systematically executed. In 2006, the International Court of Justice officially ruled that these events qualified as genocide. Today, ethnic divisions still divide the region. Serbian and Bosnian Serb leaders continue to deny that the Srebrenica Genocide ever took place.
In response to this denial, Bosnian-American artist Aida Šehović created ŠTO TE NEMA [lit. “Why are you not here?”], a nomadic monument commemorating the 8,373 Bosnian Muslims who died in the Srebrenica Genocide. Šehović has been collecting the porcelain cups traditionally used for coffee service in Bosnia and Herzegovina, with the goal of having one cup for each victim. For the past 13 years, on July 11th – the anniversary of the Srebrenica Genocide – Šehović partners with local communities around the world to organize the ŠTO TE NEMA monument in the public square of a new city.
Each successful annual rendition of the monument represents a triumph over the forces of rejection, exclusion, and denialism that encourage societies to look away from past atrocities and prevent vital communal remembrance and healing processes from taking place. Reflecting the inclusive and universal spirit of the monument, passersby are invited to participate in the construction of ŠTO TE NEMA by filling cups with Bosnian coffee and leaving them in the square, undrunk, in memory of the victims of the Srebrenica Genocide.
KDHX
Amy Reidel, Independent Artist, and Margaret Rieckenberg, Associate Curator for Barrett Barrera Projects stopped by to speak about the happenings at the various galleries of BBP, and specifically about the exhibition "Stretch Marks" which has been extended through November 27th.
Amy Reidel is a St. Louis-based artist who has exhibited work regionally and nationally. She has been a resident artist at ACRE (Artists' Cooperative Residency and Exhibitions) based out of Chicago, the David and Julia White Artists’ colony in Ciudad Colon, Costa Rica and at the Luminary Center for the Arts in St. Louis. She has exhibited work at venues including the Contemporary Art Museum-St. Louis, ACRE projects gallery in Chicago, and the Amarillo Museum of Art. Her work can be viewed online in the curated artist registries and viewing programs at White Columns and the Drawing Center in New York City. In 2014, 2019 and 2020 Reidel was awarded Artists’ Support and COVID-19 relief grants from the Regional Arts Commission of St. Louis and the Washington University/Mildred Lane Kemper Art Museum. In 2016 she received the Critical Mass Creative Stimulus award. Reidel is currently a faculty member at Washington University and St. Louis Community College as well as Co-Founder of All the Art: The Visual Art Quarterly of St. Louis (2015-2020).
Stretch Marks is an exhibition that highlights expressive mark-making as a means to explore the material in the maternal and the experience of having a body and therefore a mother. Representations in painting, drawing, photography, fiber, sculpture, and ceramics reveal bodies in transitional states, stretching themselves, often reaching through time toward other bodies that precede or continue their own material existence.
The artists in this exhibition investigate subjects that include the experience of being a mother; our relationship to the Earth; materiality and tactility; abjection and the grotesque; portraiture and self-portraiture; domestic space; familial relationships; cultural identities; and feelings of love, horror, faith, and loss as they relate to maternal bodies.
With many references to the landscape—and trees in particular—the images in these artworks allude to the longstanding conceit of nature and the Earth as a mother, as well as how we often envision family lineages as both branches of a tree and roots. Another repeating motif in the exhibition is images of hands, suggesting tactile manipulation and the presence of touch. Connecting these many images and ideas is a critical attention to generation—both as an act of creation and a form of inheritance—with works that reflect on time, family, birth, and making in their myriad incarnations.
One of Amy Reidel's Mombies
Natalie Baldeon: Reminders or Loss
Karen Berger, Vice President of Arts as Healing, stopped by to speak with Nancy to speak about the works of the organization and the Gala activities coming up Dec 5th Through 12th.
About Arts as Healing:
The theory that art can play a significant role in the recovery process is at the heart of the Arts As Healing program. They provide a creative outlet for cancer patients, their loved ones, and those who care for them. The closed-session studio classes offer an inviting environment for artistic expression where patients are free to explore a new method of communicating their innermost thoughts. Through Arts As Healing, patients find a joyous release for untapped artistic expression and relief from focusing on their illness.
Studio classes are held every Tuesday and Wednesday from 10:00AM to 12:30PM at
their Arts As Healing Studio at 11804 Borman Drive, St. Louis, MO 63146.
Wunderlust: A collaborative work done by Artist Patients
KDHX
Independent artist Mary Sprague stopped by to speak with Nancy about her long career both as a creator of art and as a teacher.
Mary Sprague, longtime Professor Emeritus of Art and Art History at Meramec Community College in St. Louis, draws, paints, and most recently thinks with clay. After completing her Bachelor and Master of Arts at Stanford University in California, she moved with her husband and four children to the Midwest and has been immersed in the St. Louis art community for the past forty-five years. Her persona has been described as, “a lively and openhanded mix of infectious friendliness” and “a woman who lives her life head on with gusto and good humor” (James Yood, on Mary Sprague).
With this in mind, Sprague’s expansive repertoire of style and content has included notable studies of mysterious domestic interiors, vibrant equestrians, and currently chickens with a certain extra amount of cluck. “Sprague’s big drawings, some are more than six feet tall, do what a lot of largescale drawings from nature fail to do – they preserve the spontaneity of small life sketches while offering up magnified views of beautiful natural forms” (Margaret Hawkins, Chicago Sun Times). Trained in an era of abstract expressionism, Sprague has been able to combine color and form from multiple eras to suit her own tastes and unique almost caricatures of domestic American scenery.
A few of Mary's works below:
Podcast Curator and Editor: Jon Valley with Technical Support by Mid Coast Media
Tamara H. Schenkenberg, Curator at the Pulitzer Arts Foundation, stopped by to talk with Nancy about an exhibition currently at the Pulitzer, namely, Hannah Wilke: Art for Life’s Sake. The exhibition runs through Jan 16, 2022.
Tamara H. Schenkenberg
American artist Hannah Wilke (1940–93) created innovative and provocative art to affirm life. Her work embraces the vitality and vulnerability of the human body as essential to experiencing life and connecting with each other. She explored this subject in sculpture, photography, video, drawing, and performance. Wilke used her art to challenge gender inequality and empower all of us to realize a more sensuous connection to life and a more liberated society.
Hannah Wilke: Art for Life’s Sake is the first major presentation of Wilke’s groundbreaking work in over a decade. This career-spanning exhibition encompasses the full arc of Wilke’s practice from the 1960s to her untimely death in 1993. It features some of the artist’s most iconic works in addition to some that have rarely been shown. This selection of nearly 120 works demonstrates Wilke’s versatility and innovative approach to materials. The exhibition offers new perspectives on this influential artist, revealing her to be a trailblazer who was as invested in advancing the position of women in society as she was in developing a unique artistic practice.
Some of the work in Hannah Wilke: Art for Life’s Sake
Podcast Curator and Editor: Jon Valley with Technical Support by Mid Coast Media
Amy Kaiser, Director of the St. Louis Symphony Chorus, stopped by to talk to Nancy about her 50 year plus long career, as well as the The Arts and Education Council lifetime achievement award that she recently received. Also discussed is her radio show, Musical Moments on Classic 107.3 fm.
Amy Kaiser
Director of the St. Louis Symphony Chorus since 1995, Amy Kaiser is one of the country’s leading choral directors. She has conducted the St. Louis Symphony Orchestra in Handel’s Messiah, Schubert’s Mass in E-flat, Vivaldi’s Gloria, and sacred works by Haydn and Mozart, as well as Young People’s Concerts. Guest conductor for the Berkshire Choral Festival in Massachusetts, Santa Fe and at Canterbury Cathedral and Music Director of the Dessoff Choirs in New York for 12 seasons, she led many performances of major works at Lincoln Center.
Other conducting engagements include Chicago’s Grant Park Music Festival, Peter Schickele’s PDQ Bach with the New Jersey Symphony, and more than 50 performances with the Metropolitan Opera Guild. Principal Conductor of the New York Chamber Symphony’s School Concert Series for seven seasons, Kaiser also led Jewish Opera at the Y, and many programs for the 92nd Street Y’s acclaimed Schubertiade. She has prepared choruses for the New York Philharmonic, Ravinia Festival, Mostly Mozart Festival, and Opera Orchestra of New York.
Kaiser is a regular pre-concert speaker for the SLSO and presents popular classes for the Symphony Lecture Series and Opera Theatre of St. Louis. A former faculty member at Manhattan School of Music and The Mannes College of Music, she was a Fulbright Fellow at Oxford University and holds a degree in musicology from Columbia University. A graduate of Smith College, she was awarded the Smith College Medal for outstanding professional achievement.
Podcast Curator and Editor: Jon Valley with Technical Support by Mid Coast Media
Gina Grafos, Director of Visual infrastructure for the Kranzberg Arts Foundation, stopped by to talk with Nancy about the happenings around the galleries associated with The KAF, including the exhibition "Lost Library" by Stan Strembicki at the High Low Literary Arts Center. Also discussed was the new KAF space, Sophie's Artists Lounge.
Gina Grafos
For the exhibition “Lost Library” at the High Low, Stan Strembicki photographed books from a flooded library in the Lower Ninth Ward — a historic, Black neighborhood hit hard by the storm — that were scattered in a field. For three years, Strembicki visited the location every few months and documented the books as they decayed.
One of the Photographs from "Lost Library"
Sophie’s Artist Lounge and Street art gallery is an immersive art lounge servicing up high fidelity audio-visuals with a cocktail-focused menu. You can Immerse yourself in their street art gallery and listen to Resident DJs provide the music. Open Wednesday- Saturday from 5:00 PM- 1:30 AM w/ St. Louis and International DJ’s from 9:00 PM- 1:00 AM.
A photograph of Sophie's Artists Lounge
Podcast Curator and Editor: Jon Valley with Technical Support by Mid Coast Media
Melissa Wolfe, Curator of American art at the St. Louis Art Museum, stopped by to talk about the new exhibition, Art Along the Rivers, which runs October 3rd, 2021 until January 9th, 2022. Other happenings at the museum are also discussed.
Melissa Wolfe joined the Art Museum in 2015 as curator and head of the Department of American Art. She oversaw an extensive reinterpretation of the museum’s American art galleries that opened in 2016.
Melissa Wolfe
Melissa previously was curator of American art at the Columbus Museum of Art, where she has worked for 14 years on a succession of important exhibitions, catalogues and collection development. Her projects “George Bellows and the American Experience” (2013), “George Tooker: A Retrospective” (2008) and “In Monet’s Garden: The Lure of Giverny” (2007) were awarded significant funding from the National Endowment for the Arts, the Henry Luce Foundation and Terra Foundation for American Art.
Wolfe received undergraduate degrees from Stephens College in Columbia, Mo., and a master’s degree and doctorate in the history of art at The Ohio State University, where she also served as adjunct professor.
In conjunction with the 200th anniversary of Missouri’s statehood, Art Along the Rivers: A Bicentennial Celebration explores the remarkable artwork produced and collected over 1,000 years in the region surrounding St. Louis. The exhibition presents more than 150 objects from Missouri as far north as Hannibal, west to Hermann, and south through the Old Mines area. It also encompasses the Illinois region along the eastern bank of the Mississippi River, from Cairo north through Carbondale and Alton. Although the region that has shaped the exhibition’s objects is small, it has played an outsize role in the history of North America due to the confluence of powerful rivers and major trails and routes within its borders.
Art Along the Rivers includes a surprising range of objects that vary widely in medium, function, and the prominence of their makers. For example, it brings together Mississippian sculpture, Osage textiles, architectural drawings for iconic landmarks, musical instruments, German and Creole furniture, African American decorative arts, prize-winning paintings from the 1904 St. Louis World’s Fair, and contemporary artists’ responses to these historic objects. While at first these works might appear to have few connections, the exhibition arranges them by theme rather than by culture or chronology to establish dialogues around the region’s geography, raw materials, and pressing social issues.
The exhibition is curated by Melissa Wolfe, curator of American art, and Amy Torbert, the Andrew W. Mellon Foundation Assistant Curator of American Art.
Joe Jones 1909-1963 We Demand, 1934 Oil on Canvas 48x36
Attributed to Anna Jane Parker, American, c.1841–1918; “Quilt Top, Pieced Log Cabin”, 1875-1900
Podcast Curator and Editor: Jon Valley with Technical Support by Mid Coast Media